Saturday, September 28, 2013

Book Review - And the Mountains Echoed - By Khaled Hosseini

“And the mountains echoed” opens with a brilliant parable, which is an allegory for the next chapter to follow.  A poverty stricken father, desperate to provide a good life for his family, lets his young daughter Pari, be adopted by a rich family. Little does he realize how profoundly the loss would affect the family, especially Pari’s elder brother Abdullah. In Adullah’s poignant words, "Pari was like the dust that clung to his shirt. She was in the silences that had become so frequent in the house, silence that welled up between their words, sometimes cold and hollow, sometimes pregnant with things that went unsaid, like a cloud filled with rain that never fell."

Beginning with this story of separation between a brother and sister, Hosseini recounts several stories of love, bonding, and separation. The stories are connected to each other, but the characters are unaware of the connection. This gives a certain level of excitement to the reader who is able to connect the dots, unbeknownst to the protagonist of each story!

The narrative of the novel is anything but linear. Stories in it crisscross over a span of sixty years - stories of disparate characters from around the world, whose lives intersect with the main characters Pari and Abdullah at different times, thereby bringing the story around a full circle. Each story independently explores bonds of family and love, and the devastation that separation and loss can bring. Every broken bond leaves a hole in the heart, which the characters try to fill with other people. Some succeed and some not so much.
Hosseini has developed his characters quite wholesomely. Much of the book is against the backdrop of Afghanistan, starting with pre-Soviet era, then the Mujahuddin rise, the Taliban movement, until after the American invasion post 9/11. The characters evolve over the years, with choices they have made between responsibility and freedom. Each character is vividly different from the other and yet, the author has developed with such maturity that the reader understands each, like one understands friends. I feel he put a lot of soul into developing the character of Nabi, a true and yet fallible gentleman. His good nature is typified in his comment “"One thing I have come to see is that one is well served by a degree of both humility and charity when judging the inner workings of another person's heart."

Hosseini brings out the stark contrast between appearances and reality in several characters; the beautiful are inane, the mutilated are strong and deep, the immoral revered as heroes. He has also shown a certain level of redemption for one’s deeds, karma if you will, through the book.

Resonating with its opening poem by Rumi, the book tries to take us beyond the boundaries of moral and immoral judgments - a realm beyond narrow minded assumptions about good and evil. In every story, he has brought out the conflicting feelings of "good" and "bad" and the greyness in between that almost every human being is made of. He has tried to make us visualize a new field of consciousness - something spiritual beyond the range of human perception, of sorting things into black and white. Also, through his various stories, he has tried to demonstrate how we all are united in ways beyond our imagination. None of us is a separate entity. We are all connected together in this large fabric that has been woven. This reminded of Andy Weir’s short story “The egg”.

Having said that, I must say that while the book’s first chapter gets you hooked and you remain hooked for the most part. But, the book begins to pall a bit towards the end. While Hosseini has kept the intersecting facts charmingly consistent across his various stories, his writing style has not been so consistent. There are sections in the last third of the book, where he hurries through long spans of time, like he were writing an epilogue. The narrative does not always flow smoothly from one story to another, though he has made an effort to cobble the splintered journey back to the main story. The stories crisscross with each other, instead of weaving together well into one tapestry of a story. Also, he did not finish the other stories that he had developed to the point of curiosity. What happened to the young boy Adel, who was beginning to understand that his father was not the hero he once thought he was. And to Iqbal’s son? Idris and Timur?

I was also a bit confused by Hosseini’s saying that the book’s title was inspired by William Blake’s “Nurse’s song”. The one emotion that this poem fills you with is just happiness, unlike the book which is definitely melancholic.
Yet all in all, I was fascinated by the story and the heartfelt emotion that permeates one’s being upon reading it. It also made me delve into the spiritual metaphors and think deeper about life. I would give the book a rating of 4 on a scale of 1 to 5.

Suniti’s feedback and my response
You have done an excellent job of writing about this book. This book deals with the psychological aspects of a tragic life events and covers so many different kinds of painful life experiences and how people from different social and economic backgrounds deal with realities of life. Every character was put in a very challenging situation and had to make a tough choice. It goes beyond the boundaries of moral and immoral judgements; These are normal people with so called normal lives; Everybody did what they thought was right thing to do at the time. Relationship between Nabi and his master, similarly,relationship between a disfigured girl and the old lady were eyeopeners for me. Author tried to put many different kinds of difficult situations in the story and tried to connect them, but I agree, that he could improve on that part. I think it was more important for him to write about as many difficult situations as possible and how people deal with them in real life, than connecting them together. I think he has done that part well because I these stories are not far from real life.  I think he left those two characters for his next book! Or he did not see much future for these two; Or They were there to explain recent political situation and how it is affecting people. Or .....he just got tired of figuring out what kind of people they would become?

Wednesday, May 15, 2013

Epics - Names of characters and other info from Mahabharata



Interesting Information on Mahabharata can be found at:
https://drive.google.com/file/d/0B0SR1-tKly2jZlM1eVBlUzdGNVE/edit?usp=sharing



Names of characters from Mahabharata

ABHIMANYU: The son of Arjuna and Subhadra. Said to be an incarnation of the moon-god Soma's son. He was slain in the battle of Kurukshetra when just sixteen. He married Uttara, King Virata's daughter, and fathered Parîksit.

ADHIRATHA: A leader of the suta's, the caste generally employed as charioteers. He found Karna after Kuntî had cast him away in a basket and raised him as his own son. His wife's name was Radha, and thus Karna was known as Radheya.

AGNIVESHA: A rishi who underwent severe austerities on Mount Mahendra. He was expert in the use of weapons, and both Drona and Drupada studied under him. He received the agneyastra (fire weapon) from the rishi Bharadvaja, and passed it on to Drona.

AKRORA: Krishna's uncle and a famous Vrishni. He was a commander of the Yadava army and also acted as one of Krishna's advisors

ALAMBUSHA: A rakshasa who fought for Duryodhana in the Kurukshetra war. He was Baka's brother, and bore enmity toward Bhîma because Bhîma slew his brother. He killed Arjuna's son Iravan, and was himself killed by Bhîma's son, Ghatotkacha.

AMBA: The king of Kashi's eldest daughter. Bhîsma abducted her from her swayamyara to be his brother's bride. Having already committed herself to Shalva, Bhîsma released her. When Shalva rejected her as a wife because she had been touched by another, she developed an intense hatred for Bhîsma. She worshipped Shiva and obtained a boon that she would kill Bhîsma in her next life. She was then reborn as Shikhandhi.

AMBÂLIKÂ: The king of Kashi's youngest daughter. She was abducted by Bhîsma from her swayamvara and married Vichitravirya. Later she became Pandu's mother by union with Vyâsadeva.

AMBIKÂ: Second daughter of the king of Kashi, abducted from her swayamvara by Bhîsma. She married Vichitravirya and, after his death, became Dhritarastra's mother by union with Vyâsadeva.

ANGARAPARNA: A Gandharva chief; also known as Chitraratha, who met the Pândavas when they were fleeing from Varanavata after the burning of the lac house.

ARJUNA: Third son of Pandu and Kuntî, begotten by Indra. He is famous as Krishna's dear friend and he heard the Bhagavad Gîtâ from Him. He is known by nine other names: Dhananjaya (winner of wealth), Vijaya (always victorious), Swetavahana (he whose chariot is drawn by white horses), Phalguna (born under the auspicious star of the same name), Kiriti (he who wears the diadem), Bhibatsu (terrifying to behold in battle), Savyasachi (able to wield a bow with both hands), Jishnu (unconquerable), and Krishna (dark-complexioned). The name Arjuna means "one of pure deeds." He is said to be an incarnation of the ancient sage Nara.

ASHVINI KUMARA'S: Twin gods who act as celestial physicians. They fathered Nakula and Sahadeva through Madrî.

ASHVATTHAMA: Son of Drona and Kripî. When he was young, his father was impoverished. Some of Ashvatthama's friends, knowing that he had never tasted milk, once gave him a cup of water mixed with flour and told him it was milk. The boy drank it and danced in glee, saying "I have tasted milk!" His father saw this and was cut to the quick. It was this incident that inspired him to go to his old friend Drupada and beg. Ashvatthama is said to be a partial expansion of Shiva.

BABRUVAHANA: Son of Arjuna and Chitrangada, who became the ruler of Manipura.

BAHLIKA: Younger brother of Shantanu. He lived a long life and was an advisor to Dhritarastra. He became a commander in Duryodhana's army during the Kurukshetra war. He was finally killed by Bhîma.

BALARÂMA: Son of Vasudeva and Rohini. Said by the Vedas to be an eternal form of the Supreme Lord who sometimes appears in the material world to enact pastimes.

BHARATA: A king in the dynasty of the moon-god (all kshatriyas are descendents either of Chandra, the moon-god, or Surya, the sun-god) who ruled the earth for thousands of years. The earth planet has been named after him, and it was common during the Mahâbhârata era to call his descendents by his name. Bharata was born from the union of King Dushyanta and the daughter of Kanva Rishi, named Shakuntala. The story of their marriage and Bharata's birth is recounted in the Mahâbhârata's Adi Parva.

BHIMASENA: Pându and Kuntî's second son, sired by Vayu, the wind-god. After the great war he was installed by Yudhisthira as crown prince. A story is told in the Skanda Purâna that Bhîma became a little proud after the war, considering that it was by his own power that he had achieved success in the war. All his brothers attributed their success to Krishna. Wanting to curb Bhîma's pride, Krishna took him on Garuda and traveled a long way to the south, where they came to a great lake many miles wide. Krishna sent Bhîma to find the source of the lake. Bhîma ran around its perimeter, but could not discover its source. As he ran he encountered a number of powerful Asuras. Bhîma found himself unable to defeat them and he ran to Krishna for shelter. Krishna lifted and threw the lake away and dispersed the Asura's (celestial demon). He said to Bhîma, "This lake was contained in Kumbhakarna's skull, the Rakshasa killed by Râma in a previous age . The warriors who attacked you were from a race of demons who fought with Ravana against Rama." Bhîma's pride was thus curbed.

BHISMA: Son of Shantanu, known as the "grandfather" of the Kurus. Although he never became king, he officiated at Hastinapura as regent until Vichitravirya was of age. He is said to be an incarnation of Dyau, the chief Vasu. The original text of the Mahâbhârata contains an entire Parva, the Shanti Parva, devoted to Bhîsma's instructions on religion and morality, which he delivered while lying on the bed of arrows.

CHITRASENA: King of the Gandharvas who taught Arjuna the arts of singing and dancing while he was in heaven. He later captured Duryodhana, whom Arjuna and Bhîma had released. Chitrasena was also the name of a king of Trigarta who fought with the Kauravas, and also the name of one of Karna's sons.

DEVAKI: Krishna's mother and the wife of Vasudeva, a chief of the Vrishni clan.

DHAUMYA: An ascetic rishi who became the Pândavas' guru and guide. The younger brother of Devala, another famous rishi.

DHRISTADYUMNA: Son of Drupada, born from the sacrificial fire. Said in the Vedas to be an expansion of the fire-god, Agni.

DHRISTAKETU: A son of Sishupala, king of the Chedis, who befriended the Pândavas and supplied them with an akshauhini division of troops for the Kurukshetra war. He was slain by Drona. After the war, his sister married Nakula. He was said to be one of the celestial Vishvadevas incarnating on earth.

DHRITARÂSTRA: The blind son of Vyâsadeva, born of Ambika after the death of her husband, Vichitravirya. He became king in Hastinapura after Pându retired to the forest. He was the father of the Kauravas. In the Bhagavata Purâna it is said that, after practicing yoga, he achieved liberation, merging into the Supreme Brahman at the end of his life.

DRAUPADI: Daughter of Drupada, king of Panchala, and wife of the five Pândavas. In her previous life she was an ascetic woman named Nalayani who received a boon from Shiva that she would have five husbands in her next life. The epitome of womanly skills, she once gave advice on how to serve a husband to Satyabhama, one of Krishna's principal wives. She was said to be an expansion of the Goddess Lakshmi. Also known as Panchali.

DRONA (DRONACHARYA): The Kurus' martial teacher. The sage Bharadvaja once caught sight of the Apsara Ghrtachi and, as a result, semen fell from his body, which he caught in a pot. Drona was later born from that pot. He was taught by Agnivesha and Parasurama. Said to be an expansion of Brihaspati, the celestial seer and preceptor of the gods.

DRUPADA: King of the Panchala province in Bharata. He was a staunch ally of the Pândavas, respected as the seniormost king among their allies. He formed an enmity with Drona after the latter had come to him for charity and had been refused. Drona finally killed him in the Kurukshetra war. Drupada was also known as Yajnasena, and is said to be an expansion of the celestial Maruts.

DURVASA: A powerful rishi famous for his quick temper. The Purânas and Mahâbhârata contain many stories about Durvasa. He is particularly famous for having granted Kuntî the boon that she could summon any god to do her will, which resulted in the births of the Pândavas from five principal deities. He is said to be an expansion of Shiva.

DURYODHANA: Eldest of Dhritarâstra's sons and leader of the Kauravas. From childhood he formed an enmity with the Pândavas, which later resulted in the Kurukshetra war. He was killed by Bhîma and went to the heavenly planets as a result of his adherence to kshatriya duties. He was said to be an expansion of Kali, the god presiding over the dark age.

DUSHASHANA: Duryodhana's eldest brother and one of his inner circle of close advisors. He grievously offended Draupadî and the Pândavas, and as a result Bhîma vowed to kill him and drink his blood. He did so during the great war.

EKALAVYA: Son of Hiranyadhanu, a Nishadha tribal chief. He became quite skilled in archery by worshipping Drona, but he was ultimately cursed by him. He was killed by Krishna.

GANDHÂRI: Daughter of the king of Gandhara, who became Dhritarâstra's wife. Having once pleased Vyâsadeva by her service, she was blessed by the sage that she would have one hundred sons. After marrying the blind Dhritarâstra, she covered her own eyes with a cloth for the rest of her life. She is thus famous as one of the most chaste ladies in Vedic history. She died in the forest with her husband and Kuntî.

GANGA: A goddess who appears in this world as the river Ganges. She was Bhîsma's mother. Her origin is described in various Vedic texts, including Bhagavata Purâna  and Ramayana. The river water descends from the spiritual world after touching Lord Vishnu's foot and is thus considered sacred.

GHATOTKACHA: The son of Bhîma and the Rakshashi Hidimbi. He became a leader of the Rakshasas and assisted the Pândavas in the Kurukshetra war. Karna killed him with Indra's celestial Shakti weapon.

INDRA: King of the gods, also known as Purandara and Shakra. The Vedas contain numerous stories about this deity, who became Arjuna's father.

JARASANDHA: King of Magadha and a powerful enemy of Krishna. His father, Brihadratha, once approached a sage to seek a blessing to have a son. The sage gave him a mango, which the king divided into two, giving half to each of his wives. They each gave birth to half a child, and the king threw away the halves. A Rakshashi named Jara later found the two halves and joined them together, whereupon the body came to life. The child was then named Jarasandha, meaning 'joined by Jara.' The Bhagavata Purâna describes the history of his inimical relationship with Krishna. He was killed in a wrestling match with Bhîma.

JAYADRATHA: King of Sindhu who married Dhritarâstra's daughter Dushala. When he was born, a heavenly voice announced that he would be a powerful warrior but would be beheaded by an enemy of unparalleled strength. His father, Vridhakshetra, then cursed whomever would cause his son's head to fall to the ground to himself die, his own head shattering into a hundred fragments. He was killed by Arjuna at Kurukshetra.

KAMSA: Maternal uncle of Krishna who usurped the throne from his father, Ugrasena. He was killed by Krishna . Details of his life are found in the Bhagavata Purâna.  

KARNA: First born son of the Pândavas' mother Kuntî from her union with the sun-god [SB Canto 9, Chapter 24 verses 32 to 36]. He became the chief support and best friend of Duryodhana, who made him king of Anga. He was killed by Arjuna at Kurukshetra and went to the sun planet. Other names of Karna include Vasusena, Vaikarthana and Radheya.

KAURAVA'S: Another name for the Kuru's.

KRIPA (KRIPACHARYA): Son of the sage Saradvan, who was once practicing asceticism in the forest when he saw the Apsara Janapadi. He passed semen, which fell into a clump of reeds, and a boy and girl were born from it. They were named Kripa and Kripi. They were found and brought to Shantanu, who was later told of their origin by Saradvan. Kripa was taught Dhanurveda, the martial arts, by his father, and he became one of the Kurus' martial teachers. He survived the Kurukshetra war and counseled the Pândavas when they ruled the world. Later, they appointed him preceptor of their grandson, Parîksit.

KRISHNA: Said by the Vedas to be God, the Supreme Person, who is the origin of all other incarnations of the Godhead such as Vishnu and Nârâyana. The Bhagavata Purâna contains extensive descriptions of his qualities and activities. He spoke the Bhagavad Gîtâ to Arjuna at the beginning of the Kurukshetra war.

KRITAVARMA: A chief in the Yadu dynasty. A devotee of Krishna, he was the commander of the Yadu army. Krishna offered the army to Duryodhana for the Kurukshetra war, and thus they and Kritavarma fought against the Pândavas. Kritavarma survived the war, but was later killed at Prabhasa during a fratricidal quarrel among the Yadus.

KUNTI: The Pândavas' mother. She was the sister of Vasudeva, Krishna's father. Her own father, Surasena, had given her as a baby to his close friend King Kuntibhoja, who had no children. She was named Prithâ at birth, but became better known as Kuntî after being raised by Kuntibhoja.

KURU: Ancient king and founder of the Kuru dynasty. Due to his performance of sacrifice and asceticism at the site, the place known as Kurukshetra, named after Kuru, is considered sacred.

KURU'S: (Kaurava's) Sons of King Dhritarâstra, hundred in number, where Duryodhana is the most known. Opponents in the battle of Kurukshetrawith their nephews the Pandava's, who were also Kuru's, descendants of Kuru.

KUVERA (VAISHRAVANA): God of riches and one of the four universal protectors or Lokapalas. Known as the celestial treasurer.

MARKENDEYA: An ancient rishi said to have lived through thousands of ages. The Mahâbhârata contains many stories about him.

NAKUL: One of the twin sons of Pându and Madri, begotten by the twin Ashvini gods. He was a maharatha (a warrior capable of contending with ten thousand other warriors) warrior renowned for his expertise with a sword. He conquered the western regions of Bharata, before Yudhisthira's Rajasuya sacrifice. Along with Draupadî, he married a princess of Chedi named Karenumati.

NÂRADA: A celestial sage also known as Devarshi, or the rishi among the gods [see for example: SB - Canto 1 : Ch. 4] He is famous as a devotee of Krishna and frequently assists Him in His pastimes on earth. The Vedas contain innumerable references to Nârada's activities and teachings.

PANDAVA'S: The five sons of King Pându and Queen Kuntî: Arjuna, Sahadeva, Nakula, Bhîma en Yudhisthira.

PÂNDU: Father of the Pandava's born to Vichitravirya's widow queen Ambalika by the grace of Vyâsadeva.

PARASARA: A powerful rishi, grandson of Vasishta, who fathered Vyâsadeva by conceiving him with Satyavati when she was still a maiden. Once Satyavati ferried the sage across a river and he was attracted by her beauty. He asked if he could have union with her, promising that by his mystic power she would not lose her virginity. She agreed and they united on an island in the middle of the river, which Parasara shrouded from view by creating volumes of mist. Vyâsadeva was immediately born and grew at once to manhood.

PARAS'URÂMA: A rishi said to be an empowered incarnation of Vishnu. He is famous for having annihilated all the kshatriyas of the world after his father, Jamadagni, had been killed by a king named Kartavirya. An expert in the Vedic military arts, he was the martial teacher of Bhîsma, Drona and Karna. The Mahâbhârata contains various stories about his exploits.

PARIKSHIT: Posthumous son of Abhimanyu, the Pândavas installed him as king in Hastinapura when they retired. He was named Parîksit, meaning 'the examiner', as the brahmins said he would come to examine all men in his search for the Supreme Lord, whom he saw while still an embryo in his mother's womb He became famous as the hearer of the Bhagavata Purâna from the sage Sukadeva Goswâmî.

SAHADEVA: The youngest Pandava. One of the two twin sons of Madri fathered by the Ashvini gods. He conquered southern Bharata before Yudhisthira's Rajasuya sacrifice. Famous for his perceptive powers and intelligence, he was appointed as Yudhisthira's personal advisor after the Kurukshetra war. Besides being married to Draupadî, he married a princess of Madra named Vijaya.

SANJAY: Dhritarâstra's charioteer and secretary. Although he belonged to the suta caste (a class of sûdra generally employed as a charioteer), he was a spiritually advanced disciple of Vyâsadeva, who gave him the power to see the events during the Kurukshetra war. Consequently, he narrated all the battle scenes to Dhritarâstra. 

SATYAKI: A Vrshni hero who became Arjuna's martial disciple. He was a close friend of Krishna. A powerful maharatha, he fought for the Pândavas at Kurukshetra, surviving both the war and subsequent massacre of sleeping soldiers by Ashvatthama. He died at Prabhasa during the fratricidal battle among the Yadus.

SATYAVATI: Mother of Vyâsadeva (from the union with Parasara Rishi).

SHAKUNI: Son of King Suvala and brother of Gandhari. Acted as close confidant and
mentor to Duryodhana. Although a powerful kshatriya, he preferred cunning and underhanded methods to open combat. Said to be an expansion of the deity presiding over the Dvapara age (third in the cycle of four ages), he was slain at Kurukshetra by Sahadeva.

SHALVA: King of Saubha. He fought Bhîsma for Amba's hand after Bhîsma kidnapped her from her swayamvara. Due to his strong friendship with Sishupala, whom Krishna killed, he became Krishna's enemy. He attacked Dwârakâ in the huge airplane he had received from Shiva. Said to be an incarnation of the Asura Ajaka, Krishna killed him.

SHALYA: Ruler of Madra and brother of Pându's second wife Madri. Although the Pândavas' friend, and having a particular friendship with Yudhisthira, he was tricked by Duryodhana into fighting for the Kauravas at Kurukshetra. Said to be an incarnation of the Daitya Samhlada, Yudhisthira killed him in the war.

SHANTANU: Great grandfather of the Pândavas and Kauravas, and Bhîsma's father from his union with Ganga. After retirement, he went to Mount Archika in the Himalayas and practiced asceticism, finally attaining liberation. It is said in the Bhagavata Purâna that his elder brother, Devapi, still lives on earth in a place called Kalapa, awaiting the commencement of the next Satya-yuga (golden age) when he will become king.

SHIKHANDHI: Son of Drupada and a reincarnation of Amba. He was born as a woman and later became a man by the grace of a Yaksha named Sthunakarna. Remembering his enmity from his previous life, he vowed to kill Bhîsma. It was due to him that Arjuna was able to approach and finally slay Bhîsma. Ashvatthama killed him during the night slaughter of the sleeping Pandava warriors.

SISHUPALA: King of Chedi and an avowed enemy of Krishna. The Bhagavata Purâna describes his previous existence as Jaya, a gatekeeper in the spiritual Vaikuntha world. Due to a curse, he and his brother Vijaya had to take birth in the material world for three lives as demons (his other two incarnations were Hiranyâksa and Ravana). Krishna killed him at Yudhisthira's Rajasuya sacrifice .

SUBHADRÂ: Krishna's sister, (daughter of Devakî and Vasudeva) said to be an incarnation of Yogamâyâ, the Lord's personified spiritual energy. Her birth is described in the Bhagavata Purâna. She married Arjuna and they had a son named Abhimanyu. Unlike her co-wife Draupadî, no details are given in the original text about how she ended her life.

SUSHARMA: King of Trigarta and brother of Duryodhana's wife, Bhanumati. He led a huge army and concentrated on fighting Arjuna during the Kurukshetra war, having taken a vow to kill him. He was slain by Arjuna.

ULOPI: Daughter of the Naga king Kauravya, who became Arjuna's wife. They had a son named Iravan, who was killed at Kurukshetra. She married Arjuna during his one year exile from Indraprastha, only spending one day with him after their wedding. She was reunited with him in Hastinapura after the war.

UTTARA: A princess of Virata whom Arjuna taught dancing during his final year of exile. She married Abhimanyu and their son was named Parîksit.

VASUDEVA: Krishna's father, after whom Krishna himself is named. Details of his life and previous births are given in the Bhagavata Purâna.

VIDURA: Son of Vyâsadeva and a palace maidservant. He was said to be an expansion of Yamaraja, the lord of justice. Once a rishi named Mandavya was mistaken for a robber. The king arrested and punished him by having him pierced by a lance. The sage later went to Yamarâja and asked why this had happened and was told that in his childhood he had pierced an insect with a blade of grass. Hearing that he had received punishment for a mistake made when he was still an ignorant child, the sage cursed Yamaraja to take birth on earth as a sûdra. Thus he became Vidura.

VIRATA: King of Matsya, where the Pândavas spent their final year in exile. He joined with the Pândavas in the Kurukshetra war, bringing an akshauhini divison of warriors. Drona killed him in the battle. He was said to be an expansion of the celestial Maruts.

VYÂSADEVA: The sage who authored the Mahâbhârata.Born from the union of Parasara Rishi and Satyavatî, he is known as Dwaipayana because he was born on an island . He compiled the Vedas and is said to be an empowered incarnation of Vishnu. His son's name is S'ukadeva the famous reciter of the Bhagavata Purâna.

YADU: Ancient king and founder of the Yadu dynasty, in which Krishna appeared. Details of Yadu's birth and life are given in the original text of the Mahâbhârata and also the Bhagavata Purâna.

YUDHISTHIRA: Eldest Pândava, born from the union of Kuntî and the god Dharma. He performed a Rajasuya sacrifice which established him as world emperor. Famous for his adherence to virtue and truth, he is also known as Dharmaraja, as well as Ajatashatru, which means "one who has no enemies." After the war he ruled the world for thirty-sixyears and was succeeded by Parîksit.


Saturday, March 30, 2013

Book Review - The Difficulty of Being Good - By Gurcharan Das


At the centre of the book is Das’s quest to understand the elusive term dharma, a word which means at once duty and religion, justice and righteousness, law and goodness. Dharma lies at the heart of the ethical questions explored in The Mahabharata, and as Das puts it: “The conceptual difficulty is part of the point. Indeed The Mahabharata is in many ways an extended attempt to clarify what dharma is – that is, what exactly should we do, when we are trying to be good in the world.”
Both the strength and weakness of The Difficulty of Being Good lies in the sheer complexity of looking for clear moral teachings in the profoundly ambiguous teachings of an epic that is “about our incomplete lives, about good people acting badly, about how difficult it is to be good in this world”. It is true that the Pandavas’ gentle leader, King Yudhishthira, is admired for his unbreakable commitment to satya (truth), ahimsa(non-violence) and anrishamsya (compassion).

Yet much of the richness of The Mahabharata lies exactly in its Shakespearian refusal to give clear answers or to deal out simplistic rights and wrongs. Characters are constantly faced with competing claims on their sense of duty. The “heroes” of the epic, the five Pandava brothers, are profoundly flawed and fallible: Yudhishthira loses all his kingdoms and even his wife through his feckless addiction to gambling; and the Man-God Krishna, who guides the brothers in the war, brings them to victory through teaching them trickery, deception and the art of guile. Meanwhile the “villains”, the many Kaurava brothers, intermittently display great virtues: bravery, perseverance, generosity and loyalty.

There are, in short, few moral or spiritual certainties advanced in The Mahabharata that are not later profoundly modified and questioned. Most importantly, during the philosophical climax of the epic, The Bhagavad Gita, Krishna persuades the Pandava hero Arjun that it is his duty to wage war on his cousins, arguing that the world is an illusion, and all that one can do is to act with the right motives, according to yourdharma. Yet Arjun’s profound doubts about waging war on this basis are amply borne out by the results of Krishna’s advice: the almost complete destruction of the world and a genocide of 18m that leaves the Kauravas extinct and the Pandavas drifting childless and joyless through a charred landscape of death.

Trying to elicit clear moral guidance for modern politicians, civil servants and businessmen from such a spectacularly complex and ambiguous text, and one that is itself so very full of self-questioning, is a very difficult task, and the result is only a mixed success in terms of Sanskrit self-help. Yet Das’s deeply informed and learned musings on The Mahabharata and its moral dilemmas are invariably so penetrating and full of insight, and the questions he raises so important, that it barely matters. Above all, he draws us back to the text of The Mahabharata itself, one of the greatest of man’s literary achievements and one that, astonishingly, has yet to be translated into English in its entirety: a measure of the degree to which the west still continues to ignore the riches of ancient Indian classical culture.
Thanks to Das, however, I am now deep in the nearest thing we have to a complete English Mahabharata: the nine extant volumes so far translated by the Clay Sanskrit Library, a remarkable American project that aims to give access to the neglected riches of the Sanskrit classics, most of which, shockingly, still remain untranslated into any language. The project is the brainchild of Das’s old Chicago teacher Sheldon Pollock, and there is something appropriately and satisfyingly Indian in the work of the pupil leading readers back to the study of his guru.

The author relies excessively on western sources for translations and for interpretations. This is perhaps because he studied the Mahabharata at Harvard and naturally, more western sources would have been available to him than Indian ones. Apart from that, what struck me most is the critical look that Gurcharan Das takes at Krishna's role in the whole epic, without looking at him as God always. The concept of 'Nishkama Karma' (doing one's duty without thinking of the fruits of it) baffles the author and he concludes that very few people are actually capable of such an existence. Draupadi, Krishna and Yudhishtira are three principal characters that Das analyses in detail, principally because they are the prime movers in the epic and it is refreshing to have an author write about Yudhishtira in a non-simplistic way - that he was a king first and foremost and that he took decisions keeping in mind his 'dharma' to his subjects. 

The author, in my opinion wrongly calls Chanakya as the Indian 'Machiavelli'. Chanakya's Arthashastra was the Indian counterpart of Machiavelli's 'The Prince', but the objectives of the two works are worlds apart in nature. Chanakya says that the Sovereign must become powerful for the welfare of his subjects whereas Machiavelli recommends a king to the pursuit of power for power alone.

Another bone that I have to pick with Das is his lack of familiarity with Indian languages other than those of North India. He says outright in the preface that 'modern' Indian languages do not say Arjuna, but Arjun and that Dharma is pronounced as 'Dharam'. Frankly, I find it appalling that someone who has read so much about Indian epics hasn't made the effort to know more about India itself.

This book, as it is faithful to the epic, raises more questions than answer them, leaving the reader like me to conclude that this epic is essentially a clash between two mafia groups (Pandavas and Kauravas) over land, while including deep concerns (expressed by the characters) for the pursuit of an absolute universal dharma.
As we gradually realize that the epic is far from the simplistic good vs evil story that we had learnt in our childhood, it leads us into the realms of moral philosophy, discussing the merits of consequential-ist ethics (Utilitarianism) and the contradictions between the different moral duties laid down in the earlier moral texts like Vedas, Manusmriti etc; all of which come into conversations between its characters.

This book throws light on many uncomfortable truths that had been hitherto censored out during Television/Cinema adaptations.The author discusses prominent characters of the Indian Epic and the moral dilemmas, behaviours that they exhibit as the story of mahabharata progresses. The tone of the narrative is neutral. The author does not favour any one side or any particular character of the epic. In every chapter, the author compares the mahabharata situations with current day scenarios. He provides a thorough analysis of what can be argued as righteous and why is it so difficult to be righteous. As per hindu philosophy a human life(purushartha) consists of four phases – Dharma(righteousness), Arth(career,goals,commercial activities), Kama(pleasures), Moksha(renunciation). Without experiencing all four a person remains incomplete. Out of the four this book stresses on Dharma and why is it difficult to follow Dharma. The book is deeply introspective. A person who connects with mahabharata and is looking to derive the meaning of life hidden in the story will enjoy reading this excellent narrative/debate on Mahabharata. The author is fascinated(not biased towards) with Yudhishtira’s character and hence the title – “The subtle art of DHARMA” (Yudhishtira being the son of Dharma). The central theme of the book is Dharma.

What I liked about it -

1. The author has done good research of the epic. If you don’t give the prologue a miss, you will see how much the author has put in on this subject. His detailed analysis of the Indian epic is commendable.

2. Some of the chapters got me hooked to the book. Like Duryodhana’s envy, where the author discusses the emotion of envy – its merits and demerits (good envy vs bad envy) and how it affects the moral conduct of a person. Bhishma’s selflessness addresses the famous “Do your deeds without expecting the results” doctrine. This chapter argues if it’s really possible for a person to act without thinking of the results. In Karna’s status anxiety, the author debates the present day issue of reservations in Indian society.

3. The tone of the narrative – This book isn’t preachy at all. I like reading something wherein the author leaves it to the reader to come to a conclusion. When describing his point of view, the author uses “I think…” which keeps the tone open to argument.

4. “The difficulty of being good” – the title summarizes the essence so beautifully. When introspective on life and moral/ethical issues, this book will provide a whole new perspective to a reader.

5. The modern-day examples that the author discusses – Ambani brothers (Duryodhana’s envy), Ramalinga Raju (Dhritarshtra’s bias for his son), etc are engaging.

What I didn’t like -

1. The chapters sometimes become lengthy. For a reader, the topics that he is less interested in, those chapters will prove to lengthy and you start getting restless reading the same subtle argument again and again through different examples.

2. Every Mahabharata fan, who has known the story and admired his/her favourite character, would disagree at one point or the other with the author’s view. For me, the chapter on Karna and Arjuna were a let down. But when you complete the book you understand that the purpose is to discuss Dharma and hence whatever the author has written about these characters is in relation to moral righteousness.

3. The bibliography – it’s so huge that you cannot follow it throughout the book. I gave up after the first chapter. It is a result of the author’s excellent research so can’t blame him for it. It’s just that it was too heavy for a reader like me to go back and forth at every reference.

Read it if -

1. You like The Mahabharata and are game for a healthy introspective debate on the epic.

2. You have felt while reading the epic that it has more to offer than only the story
Here's an interesting perspective on the moral dilemmas faced by the principle characters of Mahabharata, the great Indian classic. The author explores Duryodhana's envy, Draupadi's courage, Yudhistir's duty, Arjuna's despair, Bhishma's selflessness, Karna's status anxiety, Ashwatthama's revenge and beautifully connects it to the social, political, economic and cultural challenges of current times. Indeed, all these characters exist in us too as we face life's challenges by struggling to answer the question - what is the right thing to do and why (or how to) be good?
This book reads a little bit like Gurucharan Das's freshman Intro to Philosophy essay. There's a lot of I feel and I agree with .. which seems a tad sophomoric. 

All said and done.. I always did think that the Mahabharata was a fun story and I am grateful that Gurucharan introduced me to the more subtler nuances of this epic. I really enjoyed Das' discussions on personal dharma versus societal dharma and unmotivated karma. Das does a great job of explaining why the concept of dharma in the context of the epic is complicated. However, he doesn't do a good job of explaining how subtle dharma can be in the 20th century. There is also the problem of Das' very evident America and free markets solve all problems bias. Case in point - he makes the claim that critics of America are more motivated by jealousy rather than logic. I paraphrase, but that was the argument in essence.